1830s Vest: Finished

It's been far too long since I've posted - sorry! A couple big projects took up most of my time, but now I'm back, and the vest is finished.

When I left off, I had added the facings, so now it's time to work on the lining. I apologize, because the red of the lining is hard to colour-balance. It's really a brick red, but it's polished cotton so it shines a little bit. If you recall from the pattern, there was a quilted section in the chest. I've outlined the area with tailor's tacks, and in the back I add a little bit of wool batting: 

Over the top of the batting I basted a circle of thin linen. This has a 1/4" seam allowance to match with the encircled ared:

After quilting, the front of the lining looks like this:

And the back looks like this. Also, now I've basted the front armscye of the cloth and lining together.

The lining is turned in and prick stitched to the fronts.

A pleat is placed into the lining. If the quilting weren't there the pleat would run the full length of the vest, but now it tapers in and out of the quilting above and below. This pleat allows the vest to curve around my body without pulling at the lining. I've also felled the lining to the facing.

Before attaching the backs, I basted some scraps of linen into them where I'll attach the back stays. This will help keep the stitches from pulling through the fabric.

The back is attached (sorry, no photos of the process), and buttonholes are marked. Somehow I ended up with 7 buttonholes. I didn't really mean to, but that's all right - they all fit.

Basting to hold all the layers in place:

Finished buttons and buttonholes. The buttons are self-covered wooden blanks from Burnley & Trowbridge.

The finished vest. Please do click on these and all the photos to enlarge them to full size.

 

1830s Vest: Drafting and making up

So where have I been for so long? I've had a couple of other tailoring projects I was (and still am) working on that took priority over historical tailoring. I also moved, out of the big city to the 'burbs. This gives me my own tailoring room! I built a tailoring bench:

I just need some more wood for lower shelves, instead of putting the cloth on the floor. It's the perfect height for drafting, and not too hard to sit on.

Anyway, after the research from the last post I decided to make the vest from buff broadcloth, with a red polished cotton back and lining, and ties to cinch it in back. I used the "Single-breasted roll-collar waistcoat, 1830s-1840s" draft from R.I. Davis' Men's Garments 1830-1900.

 You can see where I'm going to add padding in the chest lining. I also wasn't sold on what kind of cinching I was going to use, and you can see two different tab ideas for lacing. In the end I won't use either of these methods, instead attaching cotton tape to the back as ties.

This broadcloth is pretty fabulous. I ordered it from Burnley & Trowbridge. Here it is after using the iron to shape it. You can see that the cloth doesn't want to lie flat, and in fact has quite a bit of volume now that I've shrunk and stretched various edges:

The back pieces, in red polished cotton (ordered from Payless Fabric). The back pattern piece is cut in two double pieces, for the inside and outside backs.

I used the front piece as a template to cut the canvas for the fronts. In this case since the broadcloth is already pretty heavy I used cotton muslin for the canvas, cut on the bias.

The pockets are done in the same way as I've done before.

Here I've added the collar extension, basted in the canvas, and basted in the edge tape. The tape for the collar roll line is basted in tight, to help keep the collar against the chest. The bottom edge is turned up, and creates its own facing to attach the lining to.

The edge of the button extension turned over and cross stitched to the canvas.

Now I discover a problem. This broadcloth is thick. It's about 1/16" thick on its own. Fold that over, and add a folded over facing, and I'm looking at a front edge that's 1/4" thick! I was worried that this might happen (but not worried enough that I took steps to fix it ahead of time). Enter the beauty of broadcloth - because it's tightly-woven and then felted, you can use a raw edge and not worry about it fraying. This was actually common with period clothing, and I've seen examples of this in person (I don't have any photos though).

I cut off the turn-over of the button extension, and trimmed 1/4" (the seam allowances) off the collar and facing edges. This isn't too pretty where I've already stitched on the edge tape, but I'm not going to take it off. This edge will be underneath the buttoned-up front so I'm not worried about catching a glimpse of the canvas. The buttonhole-side I hadn't done yet, so I trimmed the canvas back before I stitched on the edge tape for that piece.

I basted the facing in place. In the front where it buttons, the facing is just behind the front, and then shifts to be just ahead of the undercollar. Does that make sense? That way, the pieces that will be showing are overlapping the pieces that won't.

After felling the facing in place you can see how it wants to lie - it's not flat. This will (hopefully) form around my chest and neck.

Success! After felling the total thickness of the front edge is just over 1/16".

1830s Vest: Research

Vest or waistcoat? In this case I'll call it a vest. I'm feeling American today. Which reminds me of the Dr. Who episode where Captain Jack Harkness - ostensibly American - refers to wearing a vest:

That will increase my page views, I'm sure.

But I'm making a vest in the American sense. Most of the images I can find online of 1830s vests are pretty fancy silk affairs. They all have shawl collars. The backs are polished cotton. You can see that there are two different methods of cinching the back - ties and laces.

Now I'll turn to my friend, William Sidney Mount. There are plenty of vests depicted in his paintings. Most of them are shawl collars, though there are one or two notch collars. All but one that I can see are single-breasted, and many have red backs. Quite often they are black, but it seems that when they're shown with a black coat, they tend to be buff. They're all cinched with ties, when shown. The one that you an see inside is lined with the same polished red cotton as the back. They all come to a shallow point at the front waist.

  

  You can see the red lining above right.

  

  

Hey look - different paintings, but the two men on the left above seem to be the same! 

A hint of white lining. This is also, I think, the only figure painted by Mount who isn't wearing a white shirt.

Next time I'll start work on the vest itself.

Waistcoat 6: Finished

Finished! I like this waistcoat quite a bit. It fits very nicely, high under the arm in the armscye, which will give me good ease of movement. I know I haven't shown myself wearing any of the things I've finished recently, but once I have a whole outfit put together I'll wear everything at once.

This is the first time I've used silk thread for buttonholes. I have to say it's quite nice to work with. The only problem with these buttonholes is that the linen unraveled so easily. I had to do some thick overcast serging with regular thread before moving to the silk twist. 

Waistcoat 5: Almost Finished

First of all, here's a picture of what I was talking about in the last post, where the collar is sewn into the shoulder seam. This reduces additional bulk in the back, and keeps the collar from pressing against the back of your neck from the weight of the coat. A little thing, but remember that in Victorian times the coat was never taken off, so it doesn't matter what the back of your waistcoat looked like.

Now some pictures of the waistcoat at this stage. All it needs are buttonholes and buttons. And maybe a back adjustment strap. I was trying to make it fit well enough to not need a strap and buckle, but I think it will work better with it.

Here you can see some chalk marks I drew to make sure I line everything up correctly when putting on the buttons.

The back. I really wanted to make this of the same material as the lining, but as I bought the end of a roll of fabric for the lining I didn't quite have enough. I tried to make it work, even with the stripes running horizontally, but it just wasn't going to happen.

The lining. You can see pleats at the front shoulders in the lining to help keep it from pulling.

Detail of the felling where the lining meets the front facings.

And a detail of where the back lining meets the front. Remember that the front pieces were already lined before I added the back, so the back lining is felled onto the front lining.

I could have just made simple buttons, but I figured that a little extra something was worth it. I decided to do a very simple embroidery - just a few crossed lines tied together where they all cross. I did a circle of stay stitching around the edge of the button because this fabric frays very easily. Without the stitching, the fabric would just all fall apart at the back where I stitched it over the button molds.

A completed button. I sewed a thread shank onto the back of this one, but I'm not sure if I want to keep that, or simply sew the buttons directly onto the waistcoat. We'll see how this one works, or if it stands too far off the fabric.